Women : Gustav Klimt
Category: Books,Arts & Photography,History & Criticism
Women : Gustav Klimt Details
Review The appearance of this catalog in paperback assures new audiences access to Klimt's representations of women. The full-color, oversized reproductions are of excellent quality, while Baumer's introductory essay sheds light on Klimt's style and objectives. -- Midwest Book Review --This text refers to an out of print or unavailable edition of this title. Read more Language Notes Text: English (translation) Original Language: German --This text refers to an out of print or unavailable edition of this title. Read more
Reviews
I've always like Klimt's work, even though he may never be known as an Old Master of his era. The work does, however, combine many factors that I find appealing.He may be best known for extravagant use of gold leaf in his paintings. That's been done since the middle ages, to highlight images of exceptional value. Klimt, however, seemed to use it in an ironic way, to fill the least important parts of his paintings. Flat, featureless planes of gold just framed what really mattered, the human figures.Far more often than not, the figures were female - a fascination I can understand. This book shows very few men at all. The one full adult male figure (in "Here's a Kiss") is blocky and crude. Klimt's women, however, expressed everything there in in the human condition."Sonja Knips" is an early painting, and shows how much meaning Klimt could assign to one person. Sonja is a young, willowy woman in the full dress of the time. Her expression, however, is piercing and alert. Her pose is seated, but ready - something in her approaches the tension of a runner at the starting blocks.Other paintings cover the whole range of human reality and myth. "Danae" depicts that woman's beauty, innocence, and violation, but with drawing-room elegance. "Hope", more than once, appears in the figure of a woman pregnant and near full term. "Woman Friends" shows two lovely and delicate figures, but hints at the strength of a physical friendship.This book starts with a brief, informative biography of Klimt, including a three-page time line. The rest of the book reproduces a selection of his paintings. Sometimes, just a detail is shown from a larger work. I know that the whole painting, reproduced on the page, would shrink important features below visibility. Still I think more attention could have been paid to those wholes.It's an enjoyable book, though. It's informative without being dry and scholarly, and it focuses on the paintings themselves. The book is interesting in its own right, and interesting enough to encourage more study of his work.//wiredweird